Category Archives: Workshops

Saintes

Last night we went to Le Scorlion at St Jean d’Angelys (the spelling there may be a little wonky), and had a lovely meal.

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Here is my starter of langue de boeuf (ox tongue):

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And this is Avril’s salmon

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For main course I had steak:

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And pineapple cut incredibly thinly with a red fruit sorbet for pudding

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I did discover that my camera has a food setting! But the pictures I took on that all seem very dark so I’m not sure I will bother with that again!

This morning we were knitting. Sandra finished her beret

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Ruth has finished a lovely phone cover using strips knitted together, and a button bought during our trip to La Rochelle.

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Joanne has also finished her beret, in a yummy shade of purple.

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This afternoon we went to the Roman town of Saintes.

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We visited a nice little knitting shop in the town centre.

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And another one on the outskirts.

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On the way home we stopped at the hypermarket and I have stocked up on chocolate (though I have eaten some already 🙂 ). We are now sitting outside (in my case in the shade) doing a little bit of knitting and admiring our purchases before dinner. This is the life 🙂 I shall also definitely miss being chauffeured around in an air-conditioned Jaguar when we go home!

Bavarian twisted stitches

Today luckily started with less panic than yesterday. Yesterday my alarm clock didn’t go off, and I ran round like a headless chicken trying to get ready to go out. This morning the alarm clock seemed to have got over its tantrum, and I set the iPod alarm too just to be on the safe side.

The weather today has been beautiful, hot and sunny, but with a bit of a breeze. We have been back at base working hard (in amongst enjoying the sun). Today has been continuing with the patchwork knitting, and also starting some Bavarian twisted stitches. Here we are concentrating hard.

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Some people have been making patchwork knitted slippers, some patchwork cushion covers, some have started a twisted stitch beret, and some have been experimenting with samples of different twisted stitches. Everyone has achieved a huge amount, I have been very impressed. Here is some of the knitting so far.

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We are going out for dinner tonight so I had better prise myself out of my prime wi-fi-ing spot on the covered patio outside our cottage (it’s a hard life!) and put on my (moderately) posh togs.

La Roche Courbon and some more Patchwork knitting

Yesterday afternoon we had an outing to La Roche Courbon, a local chateau.

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The weather cooperated and stopped raining just as we arrived. The guided tour was very interesting but did make me realise how rusty and primitive my French is, I must look for a class to join again soon.

Today we have been doing some more patchwork knitting. Here are some of the samples everyone has been working on.

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Before dinner Mummy and I went for a little walk up the road. This is the view back across the wheat field to Le Vieux Monastere. The three right hand windows on the ground floor before the corner are the workroom where we are having our workshops. My bedroom is the first window round the corner upstairs. It is pretty idyllic as you can see 🙂

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Bienvenue en France

We arrived yesterday in a slightly damp Charente-Maritime region of France for a week’s knitting on the French Treats holiday at Le Vieux Monastere. I am Fiona’s little helper for the week.

I am not sure which order the photos are going to come out (oh the technology!) but there will be (in some order) the view from the front of our cottage, the view from the back of our cottage, and some of our knitting workshop this morning. This morning we started with patchwork knitting, which we shall continue tomorrow. This afternoon we are going for a visit to a local chateau. Hopefully the rain will let up a bit!

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Mini moebius waistcoat

At the end of April Tricia Holman (Elizabeth Zimmermann’s niece) came to the Ash knitting group to do a workshop on Elizabeth’s moebius waistcoat.

Here is Tricia (on the right) wearing her waistcoat, and with some of her other yarns and patterns.

During the day we knitted (or at least started knitting) our own little mini waistcoats.

I used 4mm needles, and some Manx Loaghtan handspun I had left over from my Handspun Leaves Waistcoat, and some red merino handspun for the edging, again another left over from my waistcoat.

It was good fun, and I am keen to make a full sized one at some point, although I think I may need to fiddle with the pattern a bit to get it to fit me. I am not very pleased with the way my icord edging came out. You can see the background colour through it, so I think I need to experiment with other ways of doing the join. Usually I do my icord from the inside, but this pattern with only one surface doesn’t have an inside and outside so both sides of the edging need to look good.

Colour blending in Stourbridge

Back in the middle of April I took myself off up to Stourbridge for some woolly fun organised by wrigglefingers (aka Jill). There were a small but select bunch of us, and we all brought what we were working on at the moment, or things we were keen to learn more about. I bent Jill’s ear about drum carding for colour blending, and she was kind enough to let me use her carders and lots of her lovely coloured fibre for two days, and give me lots of helpful info in the use thereof.

As you can see Jill has a fair bit of fibre:

I had a fabulous time playing with it all, and was definitely getting better by the end of the second day, fewer lumps and feeding the fibre in more smoothly. I made 8 little skeins – they are each only abot 10 – 15g.

They are mostly merino, but a couple have silk in, and a couple trilobal nylon sparkle. My favourite is the green 3rd from the right. This is an optical illusion (which I dreamt up at 6am on the second day of the workshop!) and actually contains no green fibre, only yellow and cyan.

I loved it so much that I have ordered a drum carder as a birthday present to myself and am eagerly awaiting its arrival.

The mini skeins are all around 4ply weight, and I am planning on using them as the contrast colour in mittens.

Knit Nation 2011

Back in the middle of a rather wet July I spent a very enjoyable three days up at Imperial College in London for Knit Nation. I had booked a hectic schedule of classes which were all great fun.

On Friday I had an all day class with Anne Hanson on Sweater Fitness. This included taking a full set of body measurements and then looking at how to adapt existing patterns to our measurements. All useful stuff. I have been quite successful in designing garments from scratch using my own measurements, but less successful in adapting already existing patterns, so there were a lot of useful tips to be gleaned. The penny really dropped when we were looking closely at the schematics of our chosen patterns, and I realised that a lot of my problem was not just that I usually need a different size for my chest than for my tummy / hips (this is something I have been aware of for some time and so am used to compensating for), but that my shoulder measurement matches up with a completely different size. I am shaped rather like a pyramid 🙂 So many garments hang from the shoulder line and if you don’t get that right the whole garment looks badly fitting. This was amply demonstrated by the T-shirt I was wearing to class. In order to get a size which was comfortable around my cake-storage areas the shoulders of the T-shirt extend past my own shoulders by a good couple of centimetres and droop in a not terribly flattering manner.

We covered lots of useful tips on how to transition from one size to another at strategic points in an existing pattern. I shall definitely be putting this information into action, and taking a very hard look at the schematics of the future patterns I knit. She also had some very interesting things to say about different ways to reduce the stitches from the bust line to the shoulders, whether you opt to decrease in the armhole area or do darts which go up to the centre of each shoulder. I look forward to doing some experimenting with this to see which works well for my shape.

On Saturday morning I went to a class on Vintage Fit and Finishing with Susan Crawford. It was very interesting to learn how fashions in ease and fit have changed over time. Very valuable information when knitting a vintage pattern. I am not sure I will ever go for the full vintage re-creation garments which seem to be popular, but I can certainly see me using some aspects of vintage patterns as inspiration.

On Saturday afternoon it was The Many Faces of Cashmere with Clara Parkes. Fantastic stuff! She manages to be hilarious and extremely informative and interesting all at the same time, and three hours of cashmere can never be a bad thing 🙂 We had lots of little samples of fibre and yarn to feel and knit with. It is constantly amazing how many different yarns you can make from the same fibre.

Here are all my little samples before washing (click to make huge):

Top row L to R:

  • Schulana Cashmere Moda, 100% cashmere, caged construction (so fibre is blown through a type of thin Icord-type tube), 4mm needles.
  • Knitwitches Seriously Gorgeous Swiss Mountain cashmere / silk lace, 65% cashmere, 35% silk, 3.25mm needles.
  • Habu Cashmere Lace, 100% cashmere, 3.25mm needles.
  • Colourmart 100% cashmere, Cable (or crepe) construction, 6mm needles.

Middle row L to R:

  • Classic Elite Posh, 30% cashmere, 70% silk, S on S cable construction, 5mm needles
  • Laines Du Nord Royal Cashmere, 100% cashmere, knitted tube construction, 4mm needles.
  • The bottom of the sample is Filatura Di Crosa Superior, 65% cashmere, 35% silk, brushed, and I used 3.25mm needles. For the top of the sample I used the same needles and as well as the Superior I added Filatura Di Crosa Nirvana, 100% merino, so the two yarns were knitted together.
  • KFI Textured Cashmere, 100% cashmere, 4mm needles.

Bottom Row L to R:

  • Hemp for Knitting Cashmere Canapa, 10% hemp, 60% cotton, 30% cashmere, 3.75mm needles.
  • Carded cashmere fibre.
  • Combed Mongolian cashmere fibre.
  • Falkland wool fibre.
  • The yellow slightly above is silk fibre.
  • The white below is fake cashmere fibre, I think this is nylon.

Here are the knitted samples after having a wash:

All of the samples fluffed up a bit on washing. Cashmere is often oiled to stop it hairing up the machines when it is processed so you don’t get the full effect until you have given your knitting a wash.

I loved the opportunity to sample all the different blends of cashmere, and different ways of spinning. There are some very inventive manufacturers out there. I am still a bit afraid of spinning cashmere because of the short staple, which is better suited to long draw, which I am not very good at. I am hoping to do some practising soon though so I can overcome that.

After Saturday’s classes I went to see the film about Bohus knitting, not a subject I knew much about before, although I love their patterns and have the kit for the Wild Apple around here somewhere.

Sunday morning was Photographing Your Fibre with Franklin Habit. Again lots of interesting and useful information. Some of it about how to set up your scene for your photography, and some on how to actuallly use the camera. I shall be spending some time with my camera manual soon! I only have a little point and shoot, but even that I don’t really use to its full potential.

As is often the way with these events there was a very tempting market place. I came home with two books:

Little Red in the City by Ysolda Teague, and Going Straight by Woolly Wormhead. I am looking forward to finding some time over Christmas to read both of these properly.

I also found a fabulous skein of yarn:

This is merino  / nylon / stellina, 100g,  400m, 4ply weight in colour Mermaid from Krafty Koala. It was green and purple and sparkly, so I could hardly be expected to resist.

I had a great time and it was a wonderful opportunity to catch up with lots of fun knitting people. I was a bit tired by the end and managed to get completely drenched on the way home – you could literally wring the water out of my trousers from the knee down where my umbrella didn’t cover them.

I think there isn’t going to be a Knit Nation next summer because of the Olympics, I am looking forward to one in 2013!

 

Improving my spinning

Back in May I went on a workshop on Improving Your Spinning with Jan Blight at her house in Basingstoke. Last year I went on her beginner spinning workshop and enjoyed it, and had been looking forward to attending the improver one to learn more.

We started off with finding out a bit more about our wheels, what kind of drive (single or double) system, and tensioning system everyone had, and what ratios were available. I think everyone had different wheels, it was really interesting to be able to see the differences and learn more about the different wheels.

Then after a bit of warm up on fibre we were already spinning, Jan gave our some bluefaced leicester tops, and we spun a semi-worsted yarn. This is semi-worsted because although we were using worsted style spinning, for it to be proper worsted yarn the fibre would have had to be hand combed with all the fibres going in the same direction (so all the tips pointing one way, and all the butts pointing the other). When fibre is commercially prepared like this top is the fibres are all aligned but some might be 180° out with the others. My spinning was not too bad, but I’m afraid I rather underplied this one, more haste, less speed.

For our second sample we were concentrating on getting our hands in time with our feet. This is a great aid to more consistent yarn, if you move your hands at the same time as your feet, and for the same distance each time then you will get the same amount of twist entered into each section of your fibre. So the idea was to draft forward for say 1 inch as you treadled once, then smooth back an inch when you treadled the next time. So each inch of yarn would contain the amount of twist entered from two depressions of your treadles. Luckily I do this fairly automatically, though it was useful to practice keeping more in time, sometimes if I am tired my hands run away from my feet. Again I underplied this one, though it wasn’t as bad as the first.

We stopped for a packed lunch in the garden, it was a lovely sunny day, and I actually had to sit in the shade! And Jan treated us to home made cake – yum!

Then after lunch Jan gave us some organic merino top, very lovely soft fibre, and we had a go at spinning thicker and semi-woollen. For a true woollen yarn you need to hand card your fibre. I had a go at some spinning over the fold, and some a kind of medium-draw. I think I need to practice this! It was fun, but rather lumpy. I would also love to be able to long-draw properly – Jan mentioned that she might hopefully be running a workshop on this later in the year so I shall keep an eye out. I had sorted my plying problem out by this time, patience and less hurrying was the key, so this is a much better finished yarn.

Then to round off the day Jan gave us some merino crossed with dorset horn crossed with lincoln fleece that she had washed, and we had a go at flick carding. We spun this worsted, then the first sample was spiral plied, and the second was just a straight 2ply. Although this was washed I found it rather sticky to spin, and sticky to knit too, it feels better now I have washed it. I think I am just very picky about having no lanolin left in the fibre at all, although I know a lot of people like to leave a bit there when they are spinning.

Here are my skeins of yarn, from left to right as I spun them (and described them above):

And here they are knitted up, but not washed. From the bottom in the order of spinning:

And here is the knitted sample after washing:

It was a really interesting workshop and I learned a lot. It has also been useful to go from fibre, to singles, to finished yarn and then knitted piece and assess how it looks at each stage. I want to make sure that I am making yarn I enjoy knitting with. The difficulty is that I also like to spin a large enough amount so I know I will have enough to knit a complete item, which inevitably takes me a while, so the feedback from knitting my own yarn takes a long time. It was very useful to spin and knit small samples and get pretty instant feedback (well a couple of months seems fairly instant to me!) so I can adjust my spinning to create the yarn I like to knit, even if the samples aren’t going towards a finished garment. I am looking forward to doing some more practicing on my own to try and improve my consistency, and improve my woollen spinning.

Patchwork Knitting Workshop 20th August 2011

Saturday 20th August began fairly early for Mummy and I. After collecting together all our knitting bits and pieces we hopped in the car and drove to Marlow Bottom, Bucks, to help Jill, Rosie, and Jill’s husband Roy get the hall arranged for our Patchwork Knitting Workshop. Sue, one of the attendees, and her husband also very kindly arrived early to help us. The hall is a lovely size, and very convenient, but unfortunately this year we discovered when we arrived that they had just painted all the woodwork the day before, and the place stank of paint 🙁 Something we were not very happy about, especially since Jill booked the hall months ago so they certainly had plenty of warning that we were coming.

At 9 I popped to the station to pick up Mary, one of the other attendees, and then once we were back and everyone had arrived and got themselves installed we started a lovely day of knitting at 9.30.

Here are some of the attendees in action, although this was actually taken later in the day:

The theme for this year’s workshop was chevrons. In his books Horst calls these Herringbone. So we started off with chevrons, either on their own or joined to mitred squares, depending on what each person was interested in. After a tea break (very well orchestrated by Roy), we then looked at triangles, to fill in the space at the top of a chevron, or between two mitred squares on the diagonal. We then got onto different methods of joining as you go. We started off with joining one strip you are working on to one you have already finished, in three different ways, and then went on to three-needle cast-off for joining two already worked pieces after lunch.

Here is Penny’s sample, showing a mitred square, two chevrons, triangles, and a knitwise join:

Lunch was again very well organised by Roy. He took all our orders during the morning and then went out to the Fish and Chip shop to collect them just before we broke for lunch. We had a lunch table set up away from the knitting so people could leave their work in progress as it was without having to pack up, and yet we could all sit together and chat over our meal.

After lunch we continued with joining methods, and then moved on to making a paper template for a jumper, to your own measurements. This is a method that Horst advocates, that you make a paper template and then can keep trying your knitting up against it until it is the right size and shape. It lends itself well to knitting in modules, or also freeform knitting and crochet. However he doesn’t really show you how to create the template from your own measurements. So we talked about how to take your measurements, and where you need to be measuring, and then using the very kind and accomodating Mary as our beautiful model we measured her and drew up a template for her for a long length jumper / jacket with modified drop sleeves (also sometimes called square set-in sleeves), a round neck, and waist shaping. We only covered drop shoulders and modified drop shoulders, since really set-in sleeves can be a day’s workshop in themselves, and the two basic shapes we covered are a good introduction, and also lend themselves well to patchwork knitting.

After everybodies brains were filled up with measuring and calculating, we moved on to show and tell. I love to see all the creative things people have been working on since we last saw them. So many great ideas, and beautiful knitting. Very inspirational.

Here is the table full of items ready for show and tell:

To finish off the day Jill and Rosie had had a great idea for how to go about planning your next patchwork knitting project. Armed with a block of post-it notes, they drew on the row lines for mitred squares, and cut some to make triangles. You can then play around arranging them on a convenient surface until you have a pattern you like, before you start the knitting.

The tidying up went surprisingly quickly, and after hardly any time we were waving everyone off and saying hello to my aunt and uncle who had come to pick Mummy up for the next leg of her round Britain tour.

It was a lovely day, I hope that the other attendees enjoyed it half as much as I did.

Another lace sampler scarf

Back in the autumn term last year Fleet library held another set of classes on knitting lace with Chris Williams, following on from what we had learnt in the first term of classes.

Again Chris designed a sampler scarf for us to knit to try out a variety of lace patterns. This one was a bit more complicated than the last one and included patterns where you had lace stitches on every row, not just every other row.

It was a fun project, I enjoyed trying out the different patterns. It is surprising how some patterns look very much like their charts, and others are quite different.

Here is the end of the scarf:

And the next section up:

And the middle:

After this the same patterns as before are used but in reverse order til you get to the end.

Apologies about the weird colours, I’m not sure what I did when I was taking the photos. The yarn is actually grey shetland 4ply from Uppingham Yarns, and I used 4mm needles.